Сергей Полищук

Sergei Polischouk
http://stihi.ru/avtor/nobfly
Лейванах
http://stihi.ru/2026/03/29/650
Альфа и Омега (Вдоль Великой Реки)
https://suno.com/s/BVQnrDxrFIw6AiVN
MCD 1400 DAYS AA 0t0
http://stihi.ru/2026/03/14/924
http://stihi.ru/readers.html?nobfly
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Мои ранние стихи
http://stihi.ru/avtor/polischouk
Мой Старый Псевдоним - Иван Петрович Ямб
http://stihi.ru/avtor/ivanyamb
https://youtube.com / @sergeipolischouk1967
@nobfly • Instagram photos and videos
https://www.facebook.com/sergei.polischouk
All we need is: LOVE UNDER WILL OF GOD
#IStandWithUkraine #peaceonearth #IStandWithIsraelForever
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Delta Blues 1930s Midnight train
http://stihi.ru/2026/03/31/2117
https://youtu.be/fH4AI-pWSv0?si=fQGL70E7w1joMHd0
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Obeah - MCCCLXXiV - РЕЗУМЕ
аллилуйя
http://stihi.ru/2026/02/15/10344
http://stihi.ru/avtor/nobfly
MCCCLXXiV - 1374 DAYS AA 0t0
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Когда пронзит пылающий вопрос
http://stihi.ru/2009/06/19/6859
Слова: Сергей Калугин
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Молебен - Корона Венков Сонетов
http://stihi.ru/2009/10/28/3785
Корона Венков Сонетов - Молебен об Украине
http://stihi.ru/2022/04/08/1247
На Венок Сонетов Сергея Калугина
Из Альбома Нигредо
Молебен "Оригинал написан в 2007г. - 2009г. после личного пребывания в аду до 2000г. и возвращения к жизни в Рай по Ступеням идя на Свет из Тьмы" меня поймут только бывшие Алкоголики и бывшие Наркоманы реално возвращённые к Жизни из Смерти в Книгах про Это не Прочитаь и точно не увидеть по Интернету у Блогетов, пережить Смерть и Воскресение Нужно, чтобы это понять).
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Moleben - Crown of Wreaths Sonnets
http://stihi.ru/2009/10/28/3785
Crown of Wreaths of Sonnets - Prayer for Ukraine
http://stihi.ru/2022/04/08/1247
On Wreath of Sonnets by Sergey Kalugin.
From the Album Nigredo
Prayerben "The original was written in 2007. - 2009. after personal stay in hell till 2000 and return to life in Paradise by steps going to the Light from Darkness" only former Alcoholics and former Addicts really returned to Life from Death will understand me in books about it you can't Read about it and certainly can't see on the Internet at Bloggers, you need to live through Death and Resurrection to understand it).
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suno beatviz
https://youtu.be/fhVqDO833rE?si=RtqLz3OR2g_5K-zI
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jazz fusion, avant-garde jazz, electric guitar harmonics, fretless bass slides, Rhodes voicings, muted trumpet flutter-tongue, brushed snare syncopation, tabla accents, choir pad cluster, tape saturation, spring reverb, 118 BPM, odd-meter groove, fractured momentum, nocturnal resolve

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Genre: Arena Worship / Gospel Worship / Contemporary Christian

Tempo: 74 BPM, 4/4
Key: Ab Major (modulates to Bb Major in final chorus)

Intro: Soft piano and ambient pads with distant choir hum (oohs and ahhs), subtle organ swells creating a church atmosphere.

Verse 1: Female lead vocal, intimate and expressive. Minimal instrumentation — piano + pad. Background choir lightly supports with sustained harmonies.

Pre-Chorus: Gradual build with gospel-style chord movement. Choir begins call-and-response phrases behind the lead. Light percussion and organ enter.

Chorus: Full gospel explosion — powerful live drums, bass, organ, and electric guitars. Large choir (soprano, alto, tenor) singing bold harmonies in unison rhythm with strong accents. Lead vocal belts over the choir.

Verse 2: Maintain groove with added rhythm guitar and organ. Choir adds fills between vocal lines.

Pre-Chorus 2: Bigger dynamic lift — choir grows louder with layered harmonies and rising energy.

Bridge: Gospel
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progressive rock, art rock, worldbeat, 102 BPM, odd-meter groove, Russian chant vocals, layered male harmonies, call-and-response refrains, hand percussion, frame drums, electric sitar accents, clean rhythm guitar, Mellotron flutes, analog tape warmth, gated snare, spring reverb, cinematic crescendos, devotional awe
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progressive rock, art rock, worldbeat, 112 BPM, djembe accents, bouzouki tremolo, fretless bass slides, clean electric arpeggios, choir pads, tape saturation, plate reverb, stereo delay, 7/8 groove, syncopated toms, triumphant hush, cinematic lift
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industrial metal, alternative metal, neue deutsche h;rte, downtuned palm-muted guitars, baritone guitar chugs, mechanical double-kick, anvil snare hits, distorted bass guitar, choir pads, taiko accents, tube saturation, gated room reverb, sidechain compression, midtempo march groove, 128 BPM, oppressive grandeur, stadium-sized impact
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A cappella Gregorian chant featuring a solo baritone male vocal. The performance consists of monophonic, non-lexical vocables delivered with a smooth, legato articulation. The vocal utilizes a wide vibrato on sustained notes and follows a modal melodic contour. A heavy hall reverb effect creates a long decay tail, simulating a large stone cathedral acoustic. The tempo is rubato, following the natural breath and phrasing of the singer rather than a fixed grid. The pitch centers around a D2 drone with melodic excursions into the mid-baritone range. Female choir, dark folk, fusion jazz, violin lead, electric violin harmonics, synth bass ostinato, muted trumpet stabs, clean rhythm guitar licks, hand percussion layers, brushed snare groove, chamber strings, plate reverb, tape saturation, wide stereo imaging, 108 BPM, syncopated 16ths, bittersweet nostalgia, nocturnal glow
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Female vocals, female harmonys, Bethel music, modern arena worship, 76 BPM, choir pads, pulse piano, bowed bass, hand percussion, electric guitar swells, octave lead guitar, tom build-ups, sidechain compression, cathedral reverb, tape saturation, wide stereo mix, congregational chorus, devotional uplift, progressive rock, psychedelic rock, mellotron choir, distorted baritone guitar, tape delay guitar, Hammond organ drones, bowed bass, tom-heavy build, stereo spring reverb, analog saturation, wide drum room, dynamic breakdowns, call and response chants, cinematic orchestration, ritual chorus, minor key, driving 7 8, epic folk-metal worship
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fusion jazz, violin lead, electric violin harmonics, synth bass ostinato, muted trumpet stabs, clean rhythm guitar licks, hand percussion layers, brushed snare groove, chamber strings, plate reverb, tape saturation, wide stereo imaging, 108 BPM, syncopated 16ths, bittersweet nostalgia, nocturnal glow
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ambient synthpop, electronic ballad, choired refrains, Russian-language chants, electric piano ostinato, arpeggiated synth lead, warm analog pads, sub-bass drone, sidechained pulse, tape saturation, cathedral reverb, stereo widening, halftime build, chant-and-response, bittersweet devotion, nocturnal resolve, 94 BPM, layered percussion
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synth-pop, krautrock, 118 BPM, motorik pulse, sequenced bass synth, arpeggiated analog synth, vocoder choir, Russian chant refrains, four-on-the-floor kick, snare delay, gated reverb, tape saturation, stacked harmonies, major mode lift, driving momentum, retro-futurist sheen
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female vocals, choir dark gothic, progressive rock, psychedelic rock, 92 BPM, odd-meter groove, reverse cymbal swells, Mellotron choir, Hammond organ drone, fuzz guitar harmonics, gated snare, tape saturation, analog flange, wide stereo delay, reverb-drenched toms, minor key, dark folk, cinematic orchestration, chant refrains, ritualistic energy
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progressive rock, psychedelic rock, mellotron choir, distorted baritone guitar, tape delay guitar, Hammond organ drones, bowed bass, tom-heavy build, stereo spring reverb, analog saturation, wide drum room, dynamic breakdowns, call and response chants, cinematic orchestration, ritual chorus, minor key, driving 7 8, epic folk-metal worship,
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female vocals, choir, gothic folk, dark folk, church bell ambience, hand drum pulse, hammered dulcimer tremolo, bowed bass drone, choir unison refrains, steel-string flatpicking, accordion swells, room mic bleed, tape saturation, spring reverb, distant snare, 108 BPM, chant-like refrain, minor key, austere devotion, winter dusk, avant garde, dark folk, 78 BPM, asymmetrical meter, a cappella chant, nylon-string guitar harmonics, frame drum pulses, bowed cymbal swells, low cello drones, hammered dulcimer ostinato, choir unisons, tape saturation, spring reverb, mono room capture, devotional austerity, nocturnal resolve
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rocksteady, roots reggae, dub-inflected folk, 92 BPM, skanking rhythm guitar, sprung one-drop drums, melodica lead, hand drum accents, upright bass pulse, tape echo delays, spring reverb, analog console saturation, choir refrains, communal singalong, bittersweet uplift, dusk-to-dawn arc
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progressive rock, psychedelic rock, mellotron choir, distorted baritone guitar, tape delay guitar, Hammond organ drones, bowed bass, tom-heavy build, stereo spring reverb, analog saturation, wide drum room, dynamic breakdowns, call and response chants, cinematic orchestration, ritual chorus, minor key, driving 7 8, epic folk-metal worship, Modern arena live worship, progressive heavy metal ballad, dark folk, female vocals, large choir, dreamy, heartfelt, violin, romantic, futuristic, deep strong female vocals, arena live modern worship, slow, gospel, violin, dreamy, dark folk, reggae, female choir, heartfelt, ballad, female singer, metal, acoustic guitar, atmospheric, progressive
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progressive rock, psychedelic rock, mellotron choir, distorted baritone guitar, tape delay guitar, Hammond organ drones, bowed bass, tom-heavy build, stereo spring reverb, analog saturation, wide drum room, dynamic breakdowns, call and response chants, cinematic orchestration, ritual chorus, minor key, driving 7 8, epic folk-metal worship
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A deeply emotional soft rock ballad built on intricate acoustic guitar arpeggios and warm, expressive piano voicings. The arrangement begins sparse, with intimate space and subtle ambient pads, gradually introducing delicate string sections that swell organically. A steady, restrained drum groove with soft kick, brushed snare, and cymbal textures enters in the mid-section, enhancing the emotional lift. The male lead vocal is raw and expressive, transitioning from close, breathy verses into a powerful, soaring chorus supported by layered harmonies. Dynamic contrast is key—verses remain minimal and fragile, while choruses expand with full instrumentation, rich reverb, and cinematic intensity. The bridge strips back to piano and pads before a final climactic build with full strings, driving drums, and heightened vocal delivery, ending in a gentle, fading outro.
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A cinematic indie rock ballad blending delicate acoustic textures with expansive orchestral layers. The track opens with soft fingerpicked acoustic guitar and distant ambient piano, wrapped in airy reverb and subtle tape-like textures. Gradually, swelling strings (violins and cellos) and atmospheric pads create a wide, immersive soundscape. Minimal percussion—muted kick, brushed snare, and soft tom pulses—enters to guide a slow, emotive tempo. The male vocal is intimate and slightly raw, with an indie tone, evolving into a powerful, emotionally cracked delivery in the chorus. Instrumentation blooms in waves, with crescendos driven by layered strings, piano octaves, and shimmering cymbals. The bridge introduces a stripped, almost ambient breakdown before rising into a cinematic final chorus with full orchestration, rich harmonic layering, and dramatic dynamic peaks, ;;;;;ing with a spacious, reverb-drenched fade.
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Emotional soft rock ballad with warm acoustic guitar arpeggios and gentle piano chords, supported by subtle strings and ambient pads. Features a heartfelt male vocal with expressive dynamics, building from intimate verses to a powerful, soaring chorus. Slow tempo with steady drum groove and emotional swells.

An ethereal synth-pop track opening with soft, dreamy pads and ambient textures, supported by minimal percussion and delicate melodies. The arrangement gradually builds with layered synth arpeggios, deep bass, and rising tension, culminating in a powerful, anthemic chorus with soaring vocals and expansive soundscapes.
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Modern arena gospel worship anthem in D Major ; modulating to E; Major, ~68 BPM. Starts with free-time piano, organ, and soft SATB choir pads (soprano airy highs, alto/tenor warm mids, bass roots). Intimate verses feature emotive female lead with minimal drums and subtle choir hums.
Choruses expand into full SATB harmonies—soaring sopranos, rhythmic alto/tenor layers, strong bass foundation. Second verse adds gospel groove (walking bass, piano fills, tambourine). Bridge uses call-and-response choir split (Tenor/Bass vs Soprano/Alto), building with toms and rising textures.
Half-step modulation to E; Major lifts into a powerful final chorus with dense layered choir, soprano ad-libs, claps, full drums, organ runs, and optional brass. Ends with gospel vamp outro, call-and-response, breakdown (choir + claps), finishing on a sustained chord.
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Female choir, dark folk reggae blends acoustic, storytelling folk elements with the ominous, bass-heavy, or spiritual undertones of roots reggae and dub, oppression, dread, and supernatural gothic, modern arena worship, spooky, progressive, slow, deep, roots reggae, conscious reggae, celebratory, warm and uplifting, male vocal, Jamaican patois, melodica, bass guitar, organ, tabla percussion, roots riddim, multicultural, soulful, A cappella Gregorian chant featuring a solo baritone male vocal. The performance consists of monophonic, non-lexical vocables delivered with a smooth, legato articulation. The vocal utilizes a wide vibrato on sustained notes and follows a modal melodic contour. A heavy hall reverb effect creates a long decay tail, simulating a large stone cathedral acoustic. The tempo is rubato, following the natural breath and phrasing of the singer rather than a fixed grid. The pitch centers around a D2 drone with melodic excursions into the mid-baritone range. Female choir,
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Slow minor dark delta blues, old slide guitar, low female vocals, female choir, , cinematic, epic, powerful, 1930s, soul, deep, acoustic
Big stadium modern worship anthem; soaring female lead vocal with massive reverb, pulsing synth pads under steady tom-driven drums that rise into a four-on-the-floor chorus, Pre-chorus builds with lifted keys and subtle guitar swells; chorus explodes with full choir, crash cymbals, and wide delay on the hook, Bridge strips back to piano and crowd-style claps, then slams back into a final, higher-key chorus for a goosebump finish, female choir vocals, epic dark folk heavy metal worship

Dark Folk, Female vocals, arena modern worship, melancholic, aggressive, techno, male choir chorus, intense, melodic, slow

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Sweeping cinematic strings and warm woodwinds, gentle piano arpeggios under intimate female vocals, First verse stays close and quiet, then the chorus lifts with soaring violins and French horn swells, Second chorus adds subtle choir pads and timpani rolls for a triumphant, emotional arc, ending on a soft, lingering piano and solo vocal tag, female vocals, orchestral
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Modern arena live worship, progressive heavy metal ballad, dark folk, male vocals, large choir, dreamy, heartfelt, violin, romantic, futuristic
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deep strong female vocals, arena live modern worship, slow, gospel, violin, dreamy, dark folk, reggae, female choir, heartfelt, ballad, female singer, metal, acoustic guitar, atmospheric, progressive
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Soul, Emotional, Torch-Lounge, female vocals, Pop, Alternative Folk, Emotional, female vocals, Sadcore, Cinematic, female vocals, Soul, Gospel, Powerful, female vocals, Theatrical, Dance, female vocals, Latin, Dance Pop, Festive, female vocals
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female vocals,slow, house, trance, melodic, epic, violin, acoustic, anime, powerful, intense, orchestral, dark folk, ethereal, flute, electropop, psychedelic, synthwave, smooth, catchy, heartfelt, ballad, trap, progressive, slide guitar, female choir, indie, gospel, uplifting, deep, chill, dreamy, aggressive, nu metal, futuristic, blues, experimental, industrial, female voice
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Craft an uplifting rock anthem with piano and electric guitars. Soaring, impassioned vocals needed for a nostalgic, hopeful feel.
Create a pop/R&B track with a mysterious, rhythmic vibe, driven by a compelling bassline. Smooth, powerful vocals required.
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Dark Folk, Ritual Music, Cinematic, female vocals choir, ambien, modern arena worship, progressive heavy metal, Big stadium modern worship anthem; soaring female lead vocal with massive reverb, pulsing synth pads under steady tom-driven drums that rise into a four-on-the-floor chorus, Pre-chorus builds with lifted keys and subtle guitar swells; chorus explodes with full choir, crash cymbals, and wide delay on the hook, Bridge strips back to piano and crowd-style claps, then slams back into a final, higher-key chorus for a goosebump finish, female choir vocals, epic dark folk heavy metal worship, Sweeping cinematic strings and warm woodwinds, gentle piano arpeggios under intimate female vocals, First verse stays close and quiet, then the chorus lifts with soaring violins and French horn swells, Second chorus adds subtle choir pads and timpani rolls for a triumphant, emotional arc, ending on a soft, lingering piano and solo vocal tag, female vocals, orchestral, deep strong female vocals

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A cappella Gregorian chant featuring a solo baritone male vocal. The performance consists of monophonic, non-lexical vocables delivered with a smooth, legato articulation. The vocal utilizes a wide vibrato on sustained notes and follows a modal melodic contour. A heavy hall reverb effect creates a long decay tail, simulating a large stone cathedral acoustic. The tempo is rubato, following the natural breath and phrasing of the singer rather than a fixed grid. The pitch centers around a D2 drone with melodic excursions into the mid-baritone range. Female choir, dark folk reggae blends acoustic, storytelling folk elements with the ominous, bass-heavy, or spiritual undertones of roots reggae and dub, oppression, dread, and supernatural gothic, modern arena worship, spooky, progressive, slow, deep, roots reggae, conscious reggae, celebratory, warm and uplifting, male vocal, Jamaican patois, melodica, bass guitar, organ, tabla percussion, roots riddim, multicultural, soulful

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Lo-fi hip hop, soft piano chords, vinyl crackle, rain sounds, 75 BPM, study music
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Epic cinematic orchestral, heroic brass, string section, 140 BPM, movie trailer
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Synthwave, analog pads, palm tree sunset, 110 BPM, nostalgic

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bossa nova, chorinho, samba, bai;o, forr;
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bossa nova, chorinho, samba, bai;o, forr;, Sweeping cinematic strings and warm woodwinds, gentle piano arpeggios under intimate female vocals, First verse stays close and quiet, then the chorus lifts with soaring violins and French horn swells, Second chorus adds subtle choir pads and timpani rolls for a triumphant, emotional arc, ending on a soft, lingering piano and solo vocal tag, female vocals, orchestral

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