Валинор

[Verse 1: Solo ethereal female voice, delicate, floating. Harp and viola accompany. No percussion. Quiet and reflective.]
Vinye ailin, vinye linde,
Mi laurea lome lante.
Cirye oiale, mire tinde,
Yassen Valinor ente.

[Chorus: Full ensemble enters. Warm French horn melody in thirds with second horn. Marimba plays sparkling tremolo. Soprano and alto choir join the soloist. Slightly louder, majestic but not bombastic.]
Ailin-linde! Ailin-linde!
Naine nore erya na!
Ilquen i si ne cumna,
Tenn’ Ambar-metta, linda!

[Verse 2: Solo voice again, but now with viola and a distant tenor sax (breathy, far in the background) adding a touch of melancholy. Cello holds long pedal notes.]
Lume aica, telpu tara,
I eleni as fanyar carir.
Rama lirila, nara mara,
Mornie lata, anar varir.

[Bridge: Three bassoons enter in canon with 1/16 delay, creating a weaving, uneasy magical texture. Voice becomes a whispered recitative, almost spoken. Staggered dynamics: first bassoon piano, second mezzo-piano, third mezzo-forte. Bassoon trio gradually fades.]
Hyar melamar, hyar yondor,
Cu vilya, cu noreo.
Ilye nu i varnar, tancar andor,
Lante lome, ora sereo.

[Chorus: Repeat full chorus with added intensity. All instruments play, but still balanced. French horns now with a touch of vibrato. Choir full. The soloist soars above.]
Ailin-linde! Ailin-linde!
Naine nore erya na!
Ilquen i si ne cumna,
Tenn’ Ambar-metta, linda!

[Outro: All instruments drop out gradually. Only solo voice, fading to whisper, with a single harp pluck (high E) at the end. Marimba roll decaying into silence. Last line repeated ad libitum, very softly.]
...linda, linda...
...Ailin-linde...
...mettanye linda.
[Final delicate harp pluck, then silence.]
[End]

Epic fantasy, cinematic, ethereal female vocal, chamber orchestra, bassoon trio, French horn, marimba, acoustic strings, slow, atmospheric, 80 BPM