The Great Mystic Who Was Ahead of His Time
There are outstanding individuals who lived their entire lives unnoticed — modestly, poorly, and in obscurity — yet exerted a global influence, not only on Russian literature but even on the course of history itself.
One of them was Roberto Bartini.
If he had not existed, there would have been no Strugatsky brothers, no The Master and Margarita by Bulgakov, no Volkov, no Nosov, no Lagin with his Old Khottabych, no Schwartz with his Tale of Lost Time, and many other writers.
Buratino and Artemon — that is Bartini.
If you remove and rearrange the letters, you get “Bartino.” The name is encoded. The Golden Key is entirely encrypted around Bartini.
The Gadfly by Voynich and The Little Golden Calf by Ilf and Petrov are encoded around Bartini.
The Master and Margarita — the entire novel is encoded around Bartini.
The Master is a prototype of Bartini.
Scarlet Sails and The Shining World by Alexander Grin are encoded and dedicated to Bartini.
The Little Prince by Antoine de Saint-Exup;ry is entirely dedicated to Bartini — encrypted and devoted to him.
Hard to Be a God — Don Rumata is a prototype of Bartini; the whole novel is encoded and dedicated to him.
The idea of the noosphere by Vladimir Vernadsky — that is Bartini.
Tupolev. Myasishchev. Korolev. That is Bartini.
Who, then, was this Bartini?
A great magician.
A classic “progressor.”
A man ahead of his time.
A genius. A mystic. A Master.
The reincarnation of Leonardo da Vinci.
It will likely take new generations another hundred, perhaps two hundred years, to decipher everything and understand it.
— G.
2017
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