Непризнанный гений - Анатолий Зверев

Чем разбавить акриловую краску: четыре исчерпывающих ответа. Разбавители акриловых красок ТАИР

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Загущение акрила. Простой способ. Как загустить акриловые краски. How to thicken Acrylic paints


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Непризнанный гений - Анатолий Зверев #художник
Dec 6, 2024
Анатолий Зверев – настоящая звезда андеграундной культуры
второй половины ХХ века, легендарный художник абсолютного
 эстетического вкуса, абсолютной живописной одаренности.
Его жизнь была судьбой «неустроенного» гения - такого, как Ван Гог,
 Модильяни, Пиросмани... Он жил скитальцем, юродивым,
которого посещали откровения, рисовал там, где задерживался –
в свободе перелетной птицы, но оставлял такой след, который был
 замечен и отмечен Пабло Пикассо.  Его рисунки наполнены жизнью
 мгновения, ставшего вихрем, вращающейся воронкой, куда
засасываются люди, животные, предметы, чтобы вновь вернуться
 обновленными как после второго рождения...

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Анатолий Зверев / Цвет времени / Телеканал Культура

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Фильм "Садись, детуля, я тебя увековечу"
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Я Люблю Зверева. 35 лет спустя

AZ MUSEUM
May 10, 2022
Легендарный русский художник Анатолий Зверев умер в 1986 году. С тех пор прошло тридцать пять лет. Его помнят, слава его растет, его любят — те, кто знал его лично, и те, кто узнал о его существовании спустя годы после его смерти, кто впервые увидел его картины лишь в новом, двадцать первом веке.
Встреча с творчеством Зверева сильно повлияла на одних героев фильма и кардинально изменила жизнь других. Коллекции его картин сменили владельцев. Остроумца и хулигана — Анатолия Зверева, уверенного в дарованном ему Богом таланте, поднаторевшего в жизненных передрягах, непросто было удивить, но, кажется, он бы все-таки удивился, услышав с десяток признаний своих новых фанатов.
;
Режиссер — Елена Лобачевская
Фильм создан специально для Музея AZ к выставке «Я люблю Зверева».

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Анатолий Зверев. Лучший рисовальщик 20 века. Последние 5 лет жизни. Рассказ художника Седугина.

Лев Орлов
 Mar 24, 2014
Анатолий Зверев. Пикасо назвал его лучшим рисовальщиком 20 века. Рассказ художника Седугина, у которого Зверев прожил последние 5 лет своей жизни.
После американской выставки в Сокольниках приехали американские авангардисты учить русских авангарду. Зверев в это время работал дворником в сокольниках так как не работать в  было нельзя. Принес 2 ведра краски и метлу, на полу нарисовал картину в духе авангарда. После этого никто русских авангардизму не пытался учить.
Читайте http://lev-orlov.livejournal.com, неизвестные факты судеб известных людей, о вопросах жизни и смерти, духовности, российской истории.
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Ван Гог из СССР

Edward Radzinsky
Oct 1, 2021  #радзинский #expressionism #искусство
«Как живем? Как в автобусе: половина трясется, половина сидит». Время, когда люди при помощи паспорта были прикреплены к месту жительства, где у всех была своя ниша, все были трудоустроены, а тунеядцы принуждены к труду, когда власть, презиравшая иностранную валюту, в ней очень нуждалась. И когда у страны было абсолютное доверие власти: если власть запрещает какую-то выставку, какую-то книгу – значит нужно идти на эту выставку и читать эту книгу. В это время в авангарде ударов по системе оказались художники. В это время Анатолий Зверев решил быть свободным.

0:00 - можно ли продать вишневый сад? Обращение к зрителям канала

6:35 - Ван Гог из СССР
7:34 - Бульдозерная выставка. Хрущев
11:39 - движение власти против самой власти. Власть как бесплатный пиарщик. «Самое главное у нас, в нашей действительности, слава подземная, неофициальная», - В.Б. Шкловский
14:42 - Георгий Костаки – коллекционер авангардного искусства.
17:25 - Игорь Маркевич, пианист, дирижер и композитор приезжает СССР.
20:00 - выставка в Париже, где Зверев становится знаменитым
21:19 - Анатолий Зверев. «Поучительная биография» человека, который не умел быть несвободным.
29:30 - вторая жизнь художника Зверева. Тунеядец - главное слово эпохи
39:00 - интерес властей к творчеству Зверева. Фурцева
40:36 - мои встречи со Зверевым. Картины, которые меняют судьбы их обладателей
57:33 - Оксана Асеева (Ксения Синякова) и Анатолий Зверев
1:01:06 - святые девы футуризма – красавицы Синяковы. Пастернак, Маяковский, Хлебников.

«Он стихотворец негордый, он прописывает к стихам содержание, чтобы некоторым было яснее». Анатолий Зверев (1931–1986), Игорь Маркевич (1912–1983), Георгий Костаки (1913–1990), Теодор Вульфович (1923 -2004), Юрий Домбровский (1909–1978), 
Ксения Синякова (1892 – 1985), Оскар Рабин (1928 – 2018)

Сентябрь 2021

.#художник #анатолийзверев  #радзинский  #expressionism #искусство

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Museum AZ Anatoly Zverev

The first educational TV channel
 Dec 25, 2015
Передача "Музеи России". Эфир 20.12.2015. Первый образовательный канал. © Телекомпания СГУ ТВ.
Другие передачи "Музеи России" смотрите на    • Музеи России 

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Intuitive painting is a liberating and expressive form of art that emphasizes the act of creation over the end result. It is based on intuition and inner feelings, allowing the subconscious mind to take control and express itself through paint and canvas. As a branch of art therapy, intuitive painting focuses on spontaneous creation and self-discovery, with no aesthetic goals, pressure, or expectations of results.

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Артвести. Люди и звери. Художник-нонконформист 60-х Анатолий Зверев.

Артвести

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Intuitive painting on canvas ink and acrylic
Indian ink

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Painting with POSCA: abstract portrait
jerome royer
 Jan 2, 2017

Painting with posca on canvas 40x60 cm full video
I let my brush follow the music without goal or expectation
Posca is a versatile and easy-to-use paint marker that can be used on any surface and for various artistic styles. Whether you are into street art, graffiti, fine art, art education, creative leisure or …

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Liquid charcoal on paper

peinture acrylique portrait en peinture intuitive

ink painting portrait tutorial
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George Rowlett - Self-Portrait (2022)

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https://www.youtube.com/watch?v=oH0PK1i56pc
How Japanese Artist Yukimasa Ida Lives and Works in the Moment
The artist's philosophical paintings are on view at the Kyoto City Kyocera Museum of Art.


Yukimasa Ida, Courtesy the studio and Mariane Ibrahim Gallery
Cathy Fan
December 18, 2023
Share Share This Article

Yukimasa Ida paints with a fervor that seems to challenge time itself, capturing the ephemeral essence of every encounter with his subjects.

Ida is a young follower of “Ichi-go Ichi-e,” (“one time, one meeting”) an ancient Japanese four-character concept with historical roots dating back to the 16th century, attributed to the tea master Sen no Riky;. Over time, this idiom has evolved into a broader philosophy encompassing notions of time, life, and death—it is from this exploration of transience that Ida draws his inspiration.

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During a journey to India in his early 20s, Ida encountered a similar philosophy among the locals. Of the countless people he met, the memory of one remains vivid: a young girl from a slum searching through a pile of garbage, finding discarded food and sharing a radiant smile with him before disappearing. That moment crystallized Ida’s understanding of “Ichi-go Ichi-e.” He realized that such encounters are unique and fleeting, and he vowed to imbue his art with the intensity of these moments.

“If God gives it to man impartially,” Ida said. “I thought, at least I would leave my strong emotion for that one moment, and that encounter.”

On the last day of September, the 33-year-old artist unveiled his first major museum exhibition, “Panta-Rhei—For as long as the world turns,” at the Kyoto City Kyocera Museum of Art. Curated by Je;ro;me Sans, the exhibition features Ida’s works from 2015 to 2023 and is presented non-chronologically.

This approach unveils Ida’s unique artistic vocabulary and prolific body of work, encompassing paintings, sculptures, portraits, abstractions, and figurations. “Yukimasa Ida is an artist who embodies absolute freedom by defying and thwarting any notion of style,” Sans noted.


“Panta-Rhei—For as long as the world turns” at the Kyoto City Kyocera Museum of Art. Photo: Keizo Kioku.

The exhibition’s title draws from the writing of the ancient Greek philosopher Heraclitus and translates to “everything flows,” which encapsulates Ida’s approach to capturing the present moment and his unwavering commitment to embody it through his art. For Ida, this show represents both the culmination of his career thus far and a fresh beginning.

“Art exists for the sake of people, but the existence of people is also changing day by day. Keep observing the beauty of the moment,” he reflected during an interview, “as long as the world turns, all things will continue to change. That is the only thing that will never change universally.”


“Panta-Rhei—For as long as the world turns” at the Kyoto City Kyocera Museum of Art. Photo: Keizo Kioku.

Painting remains at the heart of Ida’s artistic practice, and this is why the exhibition begins one of Ida’s paintings on the floor, creating an immersive experience where viewers feel as if they are walking through one of his artworks, “It is as if the viewer finds themselves in the metaverse as if they were walking through one of his paintings.” said Sans.

When viewed up close, the distorted figuration in Ida’s painting creates a sense of ambiguity that forces viewers to focus on the work’s assembly. Thick layers of oil paint take on a sculptural quality, and the irregular brushstrokes and exaggerated colors draw the viewer in closer. In each piece, Ida allows different layers, materials, memories, and spaces to intermingle, creating a synthesis of both futurism and nostalgia, weaving together memories of the past and the beauty of the present. In some sense, Ida paints as if he’s always grasping at passing visions.


Yukimasa Ida, Self-Portrait (2022), oil on canvas. Photo: © Ida Studio Inc. Courtesy of Mariane Ibrahim.

Ida’s creative process involves rapidly dragging oil across the canvas, an intentional technique he has refined through training over time. He also experiments with scribbling on canvas using scissors or his hands, striving to capture the fleeting moment. His art oscillates between figuration and abstraction, bridging the worlds of painting and sculpture, and reflecting his exploration of the nature of “things that keep changing” alongside his abiding belief that “things never change.”

The “End of Today” series, for example, offers an intimate glimpse into Ida’s “pictorial diaries.” Each of the 300 small paintings was created within a 24-hour timeframe, mirroring the ephemeral nature of social media feeds.


“Panta-Rhei—For as long as the world turns” at the Kyoto City Kyocera Museum of Art. Photo: Keizo Kioku.

Ida’s sculptures are also intimately linked to his paintings. In Study for the Pope (2019), he crafts a distorted and crushed bronze face, reminiscent of Francis Bacon’s reinterpretation of Velazquez’s Portrait of Pope Innocent X. His wooden sculptures feature raw and primal carvings.

While painting and sculpture might differ structurally, for Ida they share a similar path for artistic expression. “I feel that the sense of modeling clay and the moment of placing thick layers of paint in a painting are close to each other,” he noted.


“Panta-Rhei—For as long as the world turns” at the Kyoto City Kyocera Museum of Art. Photo: Keizo Kioku.

Having his first grand-scale institutional show at the Kyoto City Kyocera Museum of Art holds special significance for Ida. He recalls visiting the museum 17 years ago, during a solo journey across Japan, when he encountered the work of the French Fauvist Maurice de Vlaminck. “It left a strong impact on me,” the 33-year-old artist recalled, “and I decided then to become a painter on my way back to my accommodation.”

A smaller satellite show is also on at the Yonago City Museum of Art in Tottori Prefecture, and Ida said he sees both cities as reflecting his “origins,” connected “by a string of fate,” since Yonago is where he was born and raised, while Kyoto inspired his artistic practice and career.


Yukimasa Ida and J;r;me Sans in Japan in 2023. Photo: Koki Urano. Courtesy of Mariane Ibrahim.

 

Ida’s day revolves around creation. He leads a relatively simple life, spending most of his time in his studio. When asked how he selects his subjects, Ida said he chooses things that have deepened his view of the world, which aren’t always conventionally beautiful. “A dead frog on the roadside, or a telephone pole piercing the sky,” he gave as examples, “things that contain a unique beauty within time.”

And while his art might focus on finding beauty in the everyday, it has also garnered admiration from major celebrities across Asia, leading to notable collaborations. In 2021, he was featured in collaborative sale organized by Taiwanese singer Jay Chou and Sotheby’s, setting an artist record at the time. In 2023, Taiwanese actor Bolin Chen curated another sale featuring Ida’s work, again with Sotheby’s. And notably, South Korean rapper T.O.P is known for having Ida’s work in his collection, and is often spotted with the artist. Ida reached a new auction record again this March, when one of his oil paintings sold for 55 million Yen ($408,764) at SBI Art Auction.

Ida views his intersection with pop culture and recognition by famous personalities as both a pleasure and an honor, even though his art doesn’t fit the pop art genre. He remains unfazed by fame, staying true to his personal philosophy and deepening his artistic journey.

He is currently working on a project that examines space and Earth’s position within it, and a future exploration will take in the wider universe and everything it contains. But even such scientific and forward-looking subjects link back to Ida’s interest in the personal and the past. “I like to see how it connects with history,” he said.

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