A world of made is not the world of born

What did mean E.E. Cummings by coining the phrase "A world of made is not the world of born"?

In his poem "pity this busy monster, manunkind," E.E. Cummings uses the phrase "A world of made is not the world of born" to contrast the natural world with the artificial world. The natural world is the world of "born," where things are created by nature and grow and change organically. The artificial world is the world of "made," where things are created by humans and are often static and unchanging.

Cummings sees the artificial world as a threat to the natural world. He believes that humans are becoming too focused on creating and controlling things, and that we are losing touch with the natural world. He warns that if we continue down this path, we will ultimately destroy the natural world and ourselves.

The phrase "A world of made is not the world of born" is a powerful reminder of the importance of the natural world. It is a call to action to humans to reconnect with nature and to protect it from our destructive tendencies.

Here is a more detailed analysis of the phrase:

"A world of made" refers to the artificial world that humans have created. This world is made up of things like buildings, machines, and technology.
"The world of born" refers to the natural world that exists independently of humans. This world is made up of things like plants, animals, and the Earth itself.
"Is not" indicates that the two worlds are fundamentally different. The artificial world is not the same as the natural world.
"The world of born" is capitalized to emphasize its importance. The natural world is something that we should cherish and protect.
The phrase "A world of made is not the world of born" is a powerful reminder of the importance of the natural world. It is a call to action to humans to reconnect with nature and to protect it from our destructive tendencies.

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When Christopher Plummer had arrived, after a horrendous train journey in a ramshackle carriage with no facilities save a hole in the floor, the most comforting meal that could be scrounged was a plate of chicken and a sad salad of poor tomatoes and cucumber. [6]. He’d already been greeted by a welcome gift of caviar and a cordial welcome sent round by the director, which the messenger then asked him to pay for. To add insult to injury there was never anything to eat in the hotel except Borscht, which did nothing to improve Steiger’s mood. ‘”Borscht again!” Steiger said, stirring the thick rust coloured soup so the potatoes surfaced occasionally, like pale islands through the sour cream. “It’s the g******n stuff of life on this location. Borscht for lunch. Borscht for dinner. I’m afraid to come down for breakfast.” [7] He gazed morosely into the brownish red gloop and mused about his role and wether Napoleon would’ve cared a curse if Borscht had been on the menu every day. He pushed the bowl away from him and emptied his glass. Plummer tried to improve his mood with some artless but well meant flattery;

“It is the role, my dear sir, you were born for.”
“Don’t you read E.E. Cummings?” Replied Steiger “A World of made is not a world of born.”
“Then it is the role you were made for sir.”
Steiger didn’t argue further, “You can say that again.”