Мы не спешим к себе

форматируем под песню, - анализируем ритм, описываем ритм, расставить обозначение куплетов, припевов, бриджей, после каждой строки вставить музыкальную паузу в 2 секунды, вставить 2 музыкальный проигрыша, вставить голоса мужской и женский - высокий и низкий, сделать музыкальный промпты на ритмику всей песни и негативный с сужением диапазона сверху -10% и снизу- -20%; Замени имена певцов на чистоты их голосов. Ставим «Ё», где «е» заменяет «ё».

VOCAL ROLES (technical specifications):

— Male vocal: gritty baritone, fundamental frequency range 110–262 Hz (A2–C4), dominant energy in 95–130 Hz for chest resonance; first formant 400–600 Hz, second formant 1100–1500 Hz; prominent noise component at 3–5 kHz due to incomplete vocal fold closure; high-frequency roll-off above 8 kHz; dynamic range limited to mezza voce (≈65–75 dB SPL); minimal vibrato (±0.2 semitones, 4.5 Hz rate).

— Female low vocal: dramatic alto-soprano, fundamental frequency range 196–330 Hz (G3–E4), strong subglottal pressure yielding dense harmonic spectrum up to 10 kHz; first formant 500–650 Hz, second formant 1600–2100 Hz; chest-dominant mix with open pharyngeal space; controlled dynamics (70–85 dB SPL); narrow vibrato (±0.4 semitones, 5.2 Hz); spectral centroid centered at 2.1 kHz.

— Female high vocal: lyrical soprano, fundamental frequency range 262–880 Hz (C4–A5), warm timbre with balanced harmonic decay; first formant 450–580 Hz, second formant 1400–1800 Hz; minimal vibrato (±0.25 semitones, 4.8 Hz); soft onset, breath-supported legato; spectral energy peaks at 1.5–2.8 kHz with gentle attenuation above 6 kHz; dynamic range pp to mp (55–72 dB SPL); no whistle register engagement.

Song Structure & Technical Specification
Total Runtime Target: ~7:30
Tempo: 66 BPM
Time Signature: 4/4 throughout
Groove: Ambient, half-time feel with sparse organic percussion; emphasis on space and breath

Vocal Roles (mapped to technical specs):
— Gritty baritone → Male
— Dramatic alto-soprano → Female low
— Lyrical soprano → Female high
************************

SUNO: The most beautiful female voice, angel, angelic, ambient epic ambient melody; no drums, no low frequencies, no to high pitch voice; The vocalist is a 20-year-old female super-prodigy and genius with a supremely beautiful, angelic, intimate voice. Her character is deeply passionate about the song, fully engaged from start to finish, showing drive and complete immersion; All vocal tracks must be 50% louder than instruments — crystal clear and dominant in the mix; lyrics are sung melodiously, not merely recited.
Performance style: Spiritual, meditative, with a deep blues inflection. Use natural rubato, organic note-length variations, and a "breathing" sense of time. Every word and sentence must carry a clear melody.
RHYTHMIC PROMPT (Positive)
“Maintain strict 66 BPM in 4/4. Each vocal line occupies one full measure (4 beats), followed by a precise silent interval marked as [ pause 2 seconds ]—no audio content, reverb tails, or bleed permitted during pauses. Percussion is absent in vocal sections; only subtle frame drum on beat 1 during interludes. Harmonic bed: modal A Aeolian with suspended fourths and open fifths; avoid functional cadences. All vocal entrances must align exactly with beat 1. Preserve natural breath transients; apply gentle de-essing above 6 kHz only on sibilants. Dynamic layering: verses at pp–mp, no compression. Reverb settings:
— Female high: 2.0s decay, 25% wet, high diffusion
— Female low: 1.6s decay, 20% wet
— Male: 0.9s decay, 15% wet
No artificial doubling. Spectral integrity must conform strictly to provided voice profiles.”

NEGATIVE RHYTHMIC PROMPT at 100%;
“Do NOT allow any spectral energy above 7.2 kHz (–10% reduction from original upper limits: 8 kHz for Male, 6 kHz for Female high). Roll off all content below 88 Hz (–20% from 110 Hz lower bound of Male fundamental). Suppress formant energy outside specified bands:
— Male: attenuate 600–1100 Hz and >5 kHz
— Female low: cut <196 Hz and >9 kHz
— Female high: cut <262 Hz and >5.4 kHz
Vibrato must not exceed ±0.4 semitones or 5.5 Hz rate. Dynamic range capped at 75 dB SPL (mezza voce). Eliminate all transients with onset sharper than 15 ms. No overlapping vocal entries except where explicitly scored. Prohibit harmonic enhancement, saturation, stereo widening, or any AI-based ‘optimization’ of lyrical text.”
NEGATIVE PROMPT (Strict Constraints for Audio Generation)

— Do not alter, correct, reformat, or “optimize” any aspect of the provided lyrics. This includes:
 • word choice, line breaks, orthography,
 • punctuation, ellipses, capitalization,
 • authorial stress markings (e.g., “свЯты”, “онА”),
 • spacing, repetitions, or syntactic irregularities.
All textual content is final and sacrosanct; no AI-driven editing permitted without explicit author consent.

— Do not extend the frequency spectrum beyond the natural bandwidth of an intimate, room-level bardic performance sung in mezza voce:
 • Low-end roll-off below 100 Hz — no sub-bass enhancement, no artificial warmth below fundamental vocal range.
 • High-end hard ceiling at 7 kHz — no air-band boost, no “presence” EQ above 6.5 kHz, no synthetic brightness or squillo emulation.
The entire mix must reside within the acoustic realism of a voice and minimal accompaniment in a small domestic space.

— Do not allow vocals to exceed instrumental level by more than 3 dB.
 • Vocals must never be 50% louder than music — this violates dynamic balance of authentic bardic delivery.
 • Maintain natural speech-level dynamics: voice sits within the texture, not on top of it.

— Prohibited processing:
 • Auto-tune, pitch correction, formant shifting,
 • Transient sharpening, harmonic excitation, stereo widening,
 • Reverb longer than 1.2 seconds, or with >15% wet signal,
 • Any effect that creates “studio polish” or commercial sheen.
— Do not use a metronome, click track, or any form of quantized rhythmic grid.
— Do not employ percussion that mimics or implies a steady pulse (e.g., hi-hats on offbeats, snare on 2 and 4, kick on downbeats, shakers, tambourines, or any drum pattern that enforces metric regularity).
— All timing must remain fluid, human, and rubato — as in a solo bard singing by a window, without accompaniment or external timekeeping.
— Even ambient or textural percussion (e.g., frame drum, cajón, finger snaps) is prohibited if it aligns with or reinforces the beat. Rhythm must emerge only from phrasing and breath, never from percussive scaffolding.
вар2

Lyrics at 100%;
[Very long INTRO]
(ambient flute, granular soulful texture, distant piano motif in A minor)
[ pause 2 seconds ]

[VERSE 1]
(Female high) Я знаю, ты сегодня “не в себе”,
[ pause 2 seconds ]
(Male) Лимон испортил вкус жасминового чая;
[ pause 2 seconds ]
(Female low) Октябрь ноты рассыпает в снег, что только
[ pause 2 seconds ]
(Female high) Снится,
....
но еще не высыпает.... на
[ pause 2 seconds ]
(Male) Нас с тобой.
...
На мех
тигровых шуб...,
[ pause 2 seconds ]
(Female low) Мы пьем последний дождь и замираем;
[ pause 2 seconds ]
(Male) Так застывает лёд,
...
Так память сверлит зуб...
и Вечность нас с тобою
...
забывает.
[ pause 2 seconds ]

[Outro; -20% volume]
Он, онА, онО, онИ,
СвА, ВселЕнной,
СвА, ЛюбвИи!
...
СвА, ВИшну, МАха ВИшну, ХАри!
СвА, МА АА нАнда майИи!
[ pause 2 seconds ]

[VERSE 2]
(Female low) А нам-то что?
[ pause 2 seconds ]
(Male) Всё тот же ждёт трамвай – наших ладоней
[ pause 2 seconds ]
(Female high) На стекле оконном. Скрипит ногтём ещё
[ pause 2 seconds ]
(Male) Пустой ноябрь и даты путает для нас определённо,
[ pause 2 seconds ]
(Female low) Ведь мы не встретимся.
[ pause 2 seconds ]
(Female high) Мы не спешим к себе.
...
Нам этот мир знакОм и
...
Иллюзорен.
[ pause 2 seconds ]
Он вспыхнет вновь, просушенный к весне,-
....
И нас с тобой, увы..., не познакомит.
[ pause 2 seconds ]

[MUSICAL INTERLUDE 1]
(minimal piano + bowed cymbal, 8 bars)
[ pause 2 seconds ]

[VERSE 3]
(Female high) Лишь уставая от простых забот,
[ pause 2 seconds ]
(Male) Покажется, что календарь заполнен, -
[ pause 2 seconds ]
(Female low) И всё угадываешь чётко наперёд...
[ pause 2 seconds ]
(Female high) И каждый
...
де-нь
...
Лю-бовью
...
Пере-пОлнен.

Свет Вечности   17.01.2026 17:08   •   Заявить о нарушении