Dmitry Blizniuk, Recent Bibliography 2025

/Technical file for awards, grants and publishers/


AUTHOR'S BIO

Dmitry Blizniuk is a poet from Kharkiv, Ukraine. His most recent poems have appeared in POETRY Magazine, Rattle, The Cincinnati Review, Five Points, The Los Angeles Review, The Nation, Prairie Schooner, Plume, The London Magazine, Guernica, Denver Quarterly, Pleiades and many others. A Pushcart Prize nominee, he is also the author of The Red Fîrest (Fowlpox Press, 2018). His poems have been awarded RHINO 2022 Translation Prize and his folio had been selected as a runner-up in the Gregory O’Donoghue Competition and the 2025 Gabo Prize finalist.

 

Poetry Collection in English:

The Red Forest. Translated by Sergey Gerasimov. Sheet Harbor: Fowlpox Press, 2018.

Poetry Collections in Ukrainian

Ïî òîé á³ê ïîïåëó    (On the Other Side of Ash). Dnipro: Herda, 2024.

http://www.amazon.com/dp/B0DJF434Z5

Poetry Collections in Russian 

Ñáîðùèê ìîëëþñêîâ  (The Mollusk Gatherer).  Kyiv: Drukars'kyi dvir Oleha Fedorova, 2025.

http://vtoraya-literatura.com/publ-5726

 

 

Poems in the English Translation in Anthologies


1. “My Fish Will Stay Alive.” Translated by Yana Kane. In Best Literary Translations 2025, edited by Cristina Rivera Garza et al. Dallas, U.S.A.: Deep Vellum, 2025.

2. One Poem.   Translated by Yana Kane. In Dislocation: An Anthology of Poetic Response to Russia’s War in Ukraine, edited by Julia Nemirovskaya and Anna Krushelnitskaya, Bloomington, IN: Slavica Publishers, 2024.

3. “Take Immortality, God, but Give…”. Translated by Ilya Kaminsky and Katie Farris. In In the Hour of War: Poems from Ukraine, edited by Carolyn Forch; and Ilya Kaminsky. Boston: Arrowsmith Press, 2023.

4. One Poem. Translated by Sergey Gerasimov. In And Blue Will Rise Over Yellow An International Poetry Anthology for Ukraine, edited by John Bradley. Austin: Kallisto Gaia Press, 2022.





Recent Literary Magazine Publications -  In English   
2017-2025


 

“The Fog,” translated by Sergey Gerasimov. Five Points, Vol. 24, No. 1, Spring 2025

 "Burying the Dead",  translated by Sergey Gerasimov, The Inflectionist Review, ¹20, 2025  

 “you’ve died so many times in your dreams…,” translated by Yana Kane. Lunch Ticket, Issue 26, Winter-Spring 2025.

“The Boy Lies Face Down,” translated by Sergey Gerasimov. The Cincinnati Review, February 2024.

 Four Poems, translated by Yana Kane. The Los Angeles Review, February 2025.

 Eight Poems, translated by Yana Kane. World Poetry Review, Issue 11, 2025.

 “The Clear Sarcophagus of Reality,” translated by Sergey Gerasimov. Gambling the Aisle, March 2025.

“The Memory of Lives,” translated by Sergey Gerasimov. Ink Sweat & Tears, March 2025.

“The Killing Centipedes,” translated by Sergey Gerasimov. Southword, No. 46, 2024.

“My Wife Hangs Winter Clothing in the Closet,” translated by Sergey Gerasimov. The Coachella Review, December 2024.

“translate me render me into the martian tongue…,” translated by Yana Kane. Rattle, April 2024.

“Narnia,” translated by Sergey Gerasimov. Arc Poetry, Fall 2024.``

One Poem, translated by Sergey Gerasimov, Àcumen, No. 109, 2024

"Today let us go to sleep naked...," translated by Yana Kane. American Chordata, Issue 13, Fall 2023,

“It Will Start One Day,” translated by Sergey Gerasimov. Plume, Issue 144, August 2023.

“The Perfect Place for a Homeland,” translated by Sergey Gerasimov. Guernica Magazine,  June 2023.

“Snowy Mermaids,” translated by Sergey Gerasimov. Pleiades, Vol. 42, Issue 2, Fall 2023. [DOWNLOAD PDF THRU UIUC]

“The Fish Tank,” “Fugitives,” and “The Silence,” translated by Sergey Gerasimov. Prairie Schooner, Vol. 96, No. 3, Fall 2022. [DOWNLOAD PDF THRU UIUC]

Three Poems, translated by Sergey Gerasimov. Denver Quarterly, Fall 2022.

“May I?” and “A Rainy Day,” translated by Sergey Gerasimov. North Dakota Quarterly Vol. 89, Issue 1/2, 2022.

“Walls Trembling Like Horses,” translated by Sergey Gerasimov, Rattle, May 2022.

“Take immortality, God, but give...,” translated by Ilya Kaminsky and Katie Farris. The Nation, September 2022.

“A Winter Morning,” translated by Sergey Gerasimov. The London Magazine, Spring 2022.

“Let’s See…” and “The Majestic Moment of Sunset,” translated by Sergey Gerasimov, Wordgathering, Vol. 16, Issue 1, Spring 2022.

“A Footprint in the Ashes of Time,” translated by Sergey Gerasimov, Grey Sparrow Journal, Issue 45, January 2025; also in MayDay Magazine, January 2022.

“A Lake” and “A Hailstorm,” translated by Sergey Gerasimov, Kelp Journal, August 2024.

“Falcon,” translated by Sergey Gerasimov, Twyckenham Notes, Issue 5, Summer 2018.

“The Needle,” translated by Sergey Gerasimov, Roanoke Review, 2022.

“The Last Scoundrel in the World,” translated by Sergey Gerasimov, Helix Literary Magazine, November 2022.

“Dawn” and “Salt Marsh,” translated by Sergey Gerasimov, East West Literary Forum, October 2024.

“Grasping at Straws,” translated by Sergey Gerasimov, Triggerfish Critical Review, Issue 22, 2021.

“In the Suburbs,” translated by Sergey Gerasimov, Cordite Poetry Review, May 2023.

“One-Legged Angels,” translated by Sergey Gerasimov, The Wild World, No 37, 2019.

“The Water Drops,” translated by Sergey Gerasimov. Rhino 2022. Winner of the Rhino Translation Prize.

“Unicorn,” “Grass Icon,” and “Bradbury’s Butterflies,” translated by Valentin Emelin, The Write Launch, Issue 7, November 2017.

“Whoosh…,” translated by Sergey Gerasimov, Another Chicago Magazine, July 2021.

“The Milky Way,” translated by Sergey Gerasimov, London Grip, Spring 2025.

“The Green Streetlight,” translated by Sergey Gerasimov, Salamander, Issue 50, May-June 2025.

Two Poems, translated by Sergey Gerasimov, Event Magazine, Vol. 49, Issue 3, 2021.

“Sense of Snow,” translated by Sergey Gerasimov, Prime Number Magazine, Issue 131, April-June 2018.

“You are a cat…,” translated by Sergey Gerasimov, Sheila-Na-Gig, Vol. 2, Issue 2, Winter 2017. 

“When You Are Dying,” translated by Sergey Gerasimov, The Shallow Tales Review, November 2023.

“The Misprint,” translated by Sergey Gerasimov, Poetry Porch, 2019.

“There’s Nothing Black” and “You Are a Cat,” translated by Sergey Gerasimov, Origami Poetry Project, 2019.

“The Invisible Rider,” translated by Sergey Gerasimov, In Parentheses, Vol. 7, Issue 2, Fall 2021.

“Much Earlier than God,” translated by Sergey Gerasimov, Barnstorm Journal, Vol. 13, October 2021.

“Great Music,” translated by Sergey Gerasimov, Five Branch Tree, September 2024.

“A Girl in Purple Dress,” translated by Sergey Gerasimov, Ginosko Literary Journal, Vol. 29, 2022-2023.

One Poem, translated by Sergey Gerasimov, The Pinch Journal, Issue 39.1, March 2020.

“Cargo 25,” translated by Sergey Gerasimov, Versopolis, November 2023.

“The Bones of the Landscape,” translated by Sergey Gerasimov, Willow Springs, Issue 86, Spring 2020.

“It’s so Quiet,” translated by Sergey Gerasimov, Redivider, Vol. 21, Issue 2, April 2024. 

“Red Dot,” B O D Y, November 2023. 

"You Know the Answer", translated by Sergey Gerasimov.    "California Quarterly" vo. 51 No. 3, 2025

 One Poem    translated by Sergey Gerasimov,   New Contrast (South Africa) ¹207 2024,

“Unicorn,” translated by Sergey Gerasimov, Gabby & Min's Literary Review, Issue 2, Fall 2023.

“Inside the Cathedral” and “Vespers,” translated by Sergey Gerasimov, TERRAIN.org, October 2022.         

“The World at Night,” and “A Shard of Rock in Chicken Soup,” translated by Sergey Gerasimov, Vox Populi, April 2022.

“Death Is a Simple Thing,” translated by Sergey Gerasimov, Atlas and Alice Literary Magazine, October 2022.

“A Lake,” translated by Sergey Gerasimov, The Drabble, August 2022.

“September the First,” translated by Sergey Gerasimov, Punt Volat, Issue 6, Summer 2022.

“The World at Night,” translated by Sergey Gerasimov, Words & Whispers, Issue 8, 2022.

“Winter,” translated by Sergey Gerasimov, Steam Ticket: A Third Coast Review, Vol. 25, Spring 2022.

“Archangels from Childhood,” translated by Sergey Gerasimov, Letters Journal, Issue 13, Summer 2022.

“No More Dialectics,” translated by Sergey Gerasimov, StoneCoast Review, March 2022.

“A Yawn of a Butterfly, a Handful of Confetti,” translated by Sergey Gerasimov, Red Wolf Journal, Issue 20, Spring 2022.

“A Shard of Snow Queen,” translated by Sergey Gerasimov, Good River Review, Issue 3, Spring 2022. 

“Burning Giraffes,” translated by Sergey Gerasimov, Harpy Hybrid Review, Issue 3, 2021.

“A Thinking Reed,” “The Smell of Bricks,” and “The Fog,” translated by Sergey Gerasimov, New World Writing, December 2021.

“The Future,” translated by Sergey Gerasimov, Variant Literature Journal, Issue 6, 2021,

“The Cathedral” and “The Thief of Baghdad,” translated by Sergey Gerasimov, BlazeVOX, Issue 20, Spring 2021.

“Just a Man,” translated by Sergey Gerasimov, Presence: A Journal of Catholic Poetry, 2021. 

“You Look Sad,” translated by Sergey Gerasimov, Dodging The Rain, January 2020.

“Photographs of Islands,” translated by Sergey Gerasimov. Grub Street Literary Magazine, Vol. 69, June 2020.

“The Plane” and “It’s Night,” translated by Sergey Gerasimov, Shot Glass Journal, Issue 38, 2019.

“Fracturable Things,” translated by Sergey Gerasimov, Magma Poetry, Issue 70, 2018.

“The Greyhound of Black Earth,” translated by Sergey Gerasimov, Swamp Ape Review, Winter 2021.

“In the Suburbs,” translated by Sergey Gerasimov, Metamorphoses, Vol. 29, Issue 2, Fall-Winter 2021. 

“You,” translated by Sergey Gerasimov, Spillway, Issue 28, 2020.

“A Gust of Wind” and “Windows Washed by Rains,” translated by Sergey Gerasimov, Life and Legends. Issue 11, December 2021.

“Don't be sad, Chrysostom,” translated by Sergey Gerasimov, Aphelion, Issue 268, 2021.

“They Were Lying Naked,” translated by Sergey Gerasimov, Hawaii Pacific Review, November 2021.


 - and many others.


Dmitry Blizniuk works closely with Sergey Gerasimov, a poet, writer, and translator. Sergey Gerasimov is a Ukraine-based writer, poet, and translator of poetry. Among other things, he has studied psychology. He is the author of several academic articles on cognitive activity. His stories and poems written in English have appeared in Adbusters, Clarkesworld Magazine, Strange Horizons, J Journal, The Bitter Oleander, and Acumen, among many others. His last book is Oasis, published by Gypsy Shadow. The poetry he translated has been nominated for several Pushcart Prizes. His stories have appeared in magazines all over the world. His book about the war in Ukraine, Feuerpanorama, in German, can be found on Amazon. NZZ, in Zurich, has published as many as 540 of his antiwar nonfiction pieces since February 24, 2022. A couple of them can be read in English in Another Chicago Magazine.

Dmitry Blizniuk works closely with Yana Kane, who translates his poems from Russian into English. She holds a BSE degree from Princeton University, a PhD in Statistics from Cornell University, and an MFA in Creative Writing from Fairleigh Dickinson University. Her translations of Blizniuk’s poetry were published or are forthcoming in 128 LIT, American Chordata, Another Chicago Magazine, Interpret Magazine, Lunch Ticket, The Los Angeles Review, Mantis, Rattle, RHINO, Tochka.Zreniya/View.Point, World Literature Today, and World Poetry Review. They appeared in Dislocation (Slavica Publishers, Indiana University, 2024) and in the 2025 Deep Vellum’s Best Literary Translations anthology. Her translations were finalists for the 2025 Gabo Prize for Literature in Translation and received an honorable mention in the 2024 Stephen Mitchell Prize competition. Yana Kane is grateful to Bruce Esrig for editing her English texts.

 

Selected Poetry Publications (from Dmitry Blizniuk   Poets & Writers profile)

*********************************************************

The list of publications in English continues, with over 200 titles. --

 

Rock&Sling 17.1. Spring 2023  translated by Sergey Gerasimov,

Rougarou  2024 translated by Sergey Gerasimov,

The Basilisk Tree, 2024 translated by Sergey Gerasimov,

Samjoko Magazine (2024) /South Korea/, translated by Sergey Gerasimov,

 Interpret ¹12 2024 (Scotland), translated by Sergey Gerasimov,

Poetry Scotland ¹109, 202, translated by Sergey Gerasimov,

 Io Literary Journal (2022) translated by Sergey Gerasimov,

San Pedro River Review 2022. translated by Sergey Gerasimov,

 Crab Creek Review - 2019 Fall,  translated by Sergey Gerasimov,

Poet Lore 2020 ¹115, translated by Sergey Gerasimov,

 ¹50, Eurolitkrant  2021, translated by Sergey Gerasimov,

One Poem, translated by Sergey Gerasimov, Chiron Review, Issue 122, Summer 2021.

One Poem, translated by Sergey Gerasimov, Smoky Blue Literary and Arts Magazine, Spring-Summer 2022.

Red Weather 2022 - Issue 39  translated by Sergey Gerasimov,

Red Coyote 2022  – translated by Sergey Gerasimov,

Dream catcher ¹34 (UK, York) translated by Sergey Gerasimov,

K'in  2022, translated by Sergey Gerasimov,

American Diversity Report 2021, translated by Sergey Gerasimov,

Cobalt Press  2020, translated by Sergey Gerasimov,

Sandstorm  2021, translated by Sergey Gerasimov,

Plain China  2020, translated by Sergey Gerasimov,

The Caribbean Writer  ¹ 34, translated by Sergey Gerasimov,

2020.Beltway Poetry Quarterly (USA) Issue 21:1, Winter 2020, translated by Sergey Gerasimov,

National Translation Month, 2022, translated by Sergey Gerasimov,

The Wise Owl 2022, translated by Sergey Gerasimov,

KRiK Publishing House 2022, translated by Sergey Gerasimov,

New Mexico Review (USA) 2021 Fall Issue. translated by Sergey Gerasimov,

Antimatter Dreams 2021 (ÑA), translated by Sergey Gerasimov,

Pilgrimage Magazine #43, 2021, (USA), translated by Sergey Gerasimov,

Sutterville Review ¹1, 2021 (USA) translated by Sergey Gerasimov,

Shanghai Poetry Zine 2021 ¹16 (China), translated by Sergey Gerasimov,

The Decadent Review (USA, 2021), translated by Sergey Gerasimov,

The Bosphorus Review of Books (Turkey) 2021 translated by Sergey Gerasimov,

Red Wolf Journal (USA), ¹20, 2021, translated by Sergey Gerasimov,

Soliloquies Anthology 25.1 2020(Canada),  translated by Sergey Gerasimov,

Seven Circle Press ¹22 2020 (USA) translated by Sergey Gerasimov,

Plum Tree Tavern 2020 (USA), translated by Sergey Gerasimov,

Green Hills Literary Lantern (USA, 2020, ¹31), translated by Sergey Gerasimov,

Alternate History Fiction (USA) ¹11, 2020, translated by Sergey Gerasimov,

The Broadkill Review (USA) 2020, translated by Sergey Gerasimov,

The Blotter (USA) 2019, translated by Sergey Gerasimov,

The New Verse News (USA) 2020, translated by Sergey Gerasimov,

Armarolla ¹5 2020 translated by Sergey Gerasimov,

Umbrella Factory Magazine (USA), ¹41, 2020, translated by Sergey Gerasimov,

Adelaide  ¹21 (USA, New York) 2019, translated by Sergey Gerasimov,

The Nassau Review (USA) 2019, translated by Sergey Gerasimov,

Havik 2019 (USA), translated by Sergey Gerasimov,

Hummingbirds Press  (USA, 2020), translated by Sergey Gerasimov,

Saint Katherine Review (USA) ¹7.1 2019, translated by Sergey Gerasimov,

Phenomenal Literature 2019 (India, New Delhi), translated by Sergey Gerasimov,

 Wilderness House Literary Review 2019 (USA), translated by Sergey Gerasimov,

 Star 82 Review (USA, San Francisco) ¹ 7.3, 2019, translated by Sergey Gerasimov,

Hinchas de Poesa ¹24(USA, 2019), translated by Sergey Gerasimov,

Foame ¹17 2021 (Australia), translated by Sergey Gerasimov,

Pif Magazine (USA) 2019, translated by Sergey Gerasimov,

Literary Yard 2019, translated by Sergey Gerasimov,

Naugatuck River Review (USA) ¹22 2019, translated by Sergey Gerasimov,

Coffin Bell Journal  (USA) 2020, ¹4 translated by Sergey Gerasimov,

Reflections ¹100(UK, London), translated by Sergey Gerasimov,

Tipton Poetry Journal (USA) 2019, translated by Sergey Gerasimov,

The Poetry Porch (USA, 2019), translated by Sergey Gerasimov,

Smoky Blue Literary and Arts Magazine (USA) ¹11, 2019 translated by Sergey Gerasimov,

The Best of Kindness 2017 (USA, Florida), translated by Sergey Gerasimov,

 Hedge Apple (USA) 2020, translated by Sergey Gerasimov,

 Willawaw Journal (USA) ¹11, 2019, translated by Sergey Gerasimov,

 Lotus Eater Magazine (Italy) ¹10, 2019 translated by Sergey Gerasimov,

, The Ilanot Review (Israel) (Volume 13, 2017), translated by Sergey Gerasimov,

River Poets Journal(USA), (Volume 11 Issue 1), translated by Sergey Gerasimov,

Green Hills Literary Lantern (USA), 2020, ¹31, translated by Sergey Gerasimov,

 Waving Hands Review(USA) ¹12 2020, translated by Sergey Gerasimov,

 Tilde 2018 (USA), translated by Sergey Gerasimov,

The Courtship of Winds (Summer 2017 USA), translated by Sergey Gerasimov,

In Layman's Terms (¹1, 2017, USA), translated by Sergey Gerasimov,

ZVONA i NARI 2019 (Croatia), translated by Sergey Gerasimov,

Underscore review(USA, Detroit) , Issue No.7, 2017, translated by Sergey Gerasimov,

Holy Shit (USA) 2017 translated by Sergey Gerasimov,

.Sheila Na Gig (USA) translated by Sergey Gerasimov,

Meow Meow Pow Pow Lit (USA) 2019, translated by Sergey Gerasimov,

Mizmor Anthology (USA) 2019, Winter translated by Sergey Gerasimov,

 Grey Wolfe Passion Pages 2017 (USA), translated by Sergey Gerasimov,

Black Heart Magazine (USA) 2017 translated by Sergey Gerasimov,

.Stickman Review (USA) V 18 N1, 2019. translated by Sergey Gerasimov,

Holiday Hell, Lighthouse 2018 ¹ 16 (UK), translated by Sergey Gerasimov,

The Gutter Magazine ¹17 2018 (UK,Scotland) translated by Sergey Gerasimov,

, Smeuse winter 2017/18 (UK), translated by Sergey Gerasimov,

 Dragon Poet Review Winter 2017 (USÀ), translated by Sergey Gerasimov,

 Postcard Poems and Prose Magazine(USA)2019, translated by Sergey Gerasimov,

The Scene & Heard Journal 2018(USA), translated by Sergey Gerasimov,

Buddy. a lit zine.(USA)2018, translated by Sergey Gerasimov,

Canada Quarterly 2018 (Canada), translated by Sergey Gerasimov,

Palm Beach Poetry Festival (USA)2018, translated by Sergey Gerasimov,

The Pointed Circle 2018(USA), translated by Sergey Gerasimov,

The Garfield Lake Review 2018(USA), translated by Sergey Gerasimov,

Furrow 2018 (USA), translated by Sergey Gerasimov,

Barzakh 2018 (USA), translated by Sergey Gerasimov,

Grimscribe Press, (2019), translated by Sergey Gerasimov,

Poetry Pacific 2018, translated by Sergey Gerasimov,

Castabout Literature (USA) 2019 translated by Sergey Gerasimov,

Harbinger Asylum Fall 2019 (USA) translated by Sergey Gerasimov,

 Transcendent Zero Press, Bombay Gin ¹44 (USA) translated by Sergey Gerasimov,

 Tenth Street Miscellany 2018 (USA), translated by Sergey Gerasimov,

Platform Review¹2, 2018 (USA) , translated by Sergey Gerasimov,

 Duck Lake Journal (USA) 2019, ¹2, translated by Sergey Gerasimov,

SHIFT (USA) 2018 MTSU Write, translated by Sergey Gerasimov,

Poetry City (USA), 2018 Vol. 8.  translated by Sergey Gerasimov,

Thirty West Publishing House (USA) 2019. translated by Sergey Gerasimov,

 StepAway Magazine (USA) ¹30, translated by Sergey Gerasimov,

Mad Swirl (USA) 2019, translated by Sergey Gerasimov,

Triggerfish Critical Review 2019 (USA). translated by Sergey Gerasimov,

The Lightning Hunter (USA, 2019) translated by Sergey Gerasimov,

The Brasilia Review (Brazil, 2019), translated by Sergey Gerasimov,

isacoustic (USA) 2020, translated by Sergey Gerasimov,

 OPEN: Journal of Arts & Letters (2020, USA), translated by Sergey Gerasimov,

Writing for Peace (USA) 2020  translated by Sergey Gerasimov,

Avatar Review (USA) ¹22,  2020 translated by Sergey Gerasimov,

Tule Review 2021 translated by Sergey Gerasimov,

Pensive Journal 2022(USA) translated by Sergey Gerasimov,

Beautiful Rosebud #70, 2023, translated by Sergey Gerasimov,

Through Lines Magazine (US) 2022 translated by Sergey Gerasimov,

Inlandia - Fall 2022 (US) translated by Sergey Gerasimov,

"And Blue Will Rise Over Yellow: An International Poetry Anthology for Ukraine" from Kallisto Gaia Press, (US 2022).

 128 LIT (US 2023) translated by Yana Kane

Verse Daily (US 2023) translated by Sergey Gerasimov,

The Freshwater Review (US) ¹26, 2023, translated by Sergey Gerasimov,

"Rosebud Magazine" ¹70, 2023 (USA),  translated by Sergey Gerasimov,

Pudding Magazine ¹71 2023 (USA)translated by Sergey Gerasimov,

redrosethorns, 2023,  translated by Sergey Gerasimov,

"Aji" ¹18, 2023 (USA), translated by Sergey Gerasimov,

Creation Magazine (USA) 2023 ,  translated by Sergey Gerasimov,

Circumference  2023, translated by Sergey Gerasimov,

Washington Square Review: Summer 2023, translated by Sergey Gerasimov,

The Collidescope (USA) 2023, translated by Sergey Gerasimov,

CIRCUMFERENCE 2023 (USA), translated by Sergey Gerasimov,

 "Quarterly Literary Review" (Singapore)  2023, translated by Sergey Gerasimov,

EgoPHobia 2023 (Romania),   (European Platforms), EU. translated by Sergey Gerasimov



 

The list of publications in English continues, with over 200 titles. --


POETRY Magazine 2025 (USA),  The Los Angeles Review 2025, Five Points 24. 1 (USA) 2025, Denver Quarterly 2023, Rattle 2022,  The Nation 2022, The Cincinnati Review, 2024, Prairie Schooner 2022, The London Magazine 2022, ), B O D Y (USA) 2023, Olit,(USA) Summer   2025. "Flora Fiction"  2025 (US),  The Shallow Tales Review/Nigeria/, American Chordata  (USA) 2023, "Rock & Sling" 17.1. 2024 (USA), "Redivider" 21.2 (USA) 2024,  New Contrast (South Africa) ¹207 2024, "Rougarou" (USA) 2024, "The Basilisk Tree" (USA) 2024, "Samjoko Magazine" (2024) /South Korea/, "Kelp Journal" 2024 (USA), "Interpret ¹12", 2024 (Scotland), Five Branch Tree (2024), Ink Sweat & Tears  (UK) 2025, "Gambling the Aisle" 2025 (US),  Rock & Sling 2025 (US), Poetry Scotland ¹109, 2025 (UK), "World Poetry Review" 2025 (US), Guernica  (USA) 2023, Plume, "Àcumen" ¹109, 2024 (UK), Cordite Poetry Review (Australia) 2023, ¹109, The Pinch Journal (USA) 2019,  The Coachella Review 2024 (USA) ,  Lunch Ticket (USA) 2024, "Arc Poetry" ¹104, 2024 (Canada), "Southword" No. 46, 2024 (Ireland), North Dakota Quarterly 89.1/2 2022, , Terrain.org 2022(USA), Ginosko Literary Journal, Issue 29 (2022 US), Atlas and Alice Literary Magazine(2022), Io Literary Journal (USA, 2022) THE DRABBLE (USA, 2022), Punt Volat (USA) 2022, San Pedro River Review 2022. Roanoke Review (USA) 2022, Words & Whispers (US) 2022, Presence: A Journal of Catholic Poetry 2022, Wordgathering (USA), Willow Springs (USA) 2020 Issue 86, Magma Poetry(UK) ¹70, 2018  Crab Creek Review (USA) - 2019 Fall, Chiron Review (USA) 2021, ¹122, Poet Lore(USA)2020 ¹115, Grub Street Literary Magazine 2020 (USA), Salamander (USA) 2020, ¹50, Another Chicago Magazine (USA) (2021),Eurolitkrant (Áðþññåëü) 2021, Steam Ticket" (USA) 2022 ¹25, Variant Literature Journal Issue 6 2021,Red Weather 2022 - Issue 39 (USA), Red Coyote 2022 (USA) K'in (USA) 2022, LETTERS 2022, American Diversity Report (USA) 2021, Cobalt Press (USA) 2020, Harpy Hybrid Review¹ 3, 2021 (USA),EVENT Magazine Issue 49/3 (Canada, 2021), Triggerfish Critical Review(USA) #25, 2021 ,Sandstorm (USA) 2021,  BlazeVOX (USA) ¹20, 2021,Dodging The Rain, 2020 (Ireland). Plain China (USA) 2020, The Caribbean Writer (USA) ¹ 34, 2020.Beltway Poetry Quarterly (USA) Issue 21:1, Winter 2020, Dream catcher ¹34 (UK, York), National Translation Month, 2022, Stonecoast Review (USA) 2022, Good River Review (USA), Smoky Blue Literary and Arts Magazine 2022 (USA),Red Wolf Journal - A Change of World (USA) 2022,The Wise Owl(Èíäèÿ) 2022, KRiK Publishing House 2022,East West Literary Forum (USA), Translation Prize RHINO(USA) 2022, Grey Sparrow Journal 2022 [Issue 39], MAYDAY Magazine 2022, Swamp Ape Review (USA, 2021-22), Metamorphoses (USA, 2021/22),  Life and Legends (USA) ¹11 2021 New World Writing 2021 (USA), New Mexico Review(USA) 2021 Fall Issue.Aphelion (USA), ¹268, 2021, Antimatter Dreams 2021 (ÑA), Pilgrimage Magazine #43, 2021, (USA),Sutterville Review ¹1, 2021 (USA) Shanghai Poetry Zine 2021 ¹16(China, Øàíõàé),The Decadent Review (USA, 2021),The Bosphorus Review of Books (Turkey) 2021 Hawaii Pacific Review 2021 (USA, Red Wolf Journal (USA), ¹20, 2021,In Parentheses (USA) (Fall 2021) Volume 7, Issue 2) Barnstorm Journal 2021, USA ,Soliloquies Anthology 25.1 2020(Canada),  Spillway 2020 (USA)  ¹ 28. Seven Circle Press ¹22 2020 (USA)Plum Tree Tavern 2020 (USA),Green Hills Literary Lantern (USA, 2020, ¹31), Alternate History Fiction (USA) ¹11, 2020, The Broadkill Review (USA) 2020, The Blotter (USA) 2019,The New Verse News (USA) 2020, Armarolla ¹5 2020 (Êèïð/×åõèÿ) Umbrella Factory Magazine (USA), ¹41, 2020, Adelaide  ¹21 (USA, New York) 2019, The Nassau Review (USA) 2019,Havik 2019 (USA), Hummingbirds Press  (USA, 2020), Saint Katherine Review (USA) ¹7.1 2019, Phenomenal Literature 2019 (India, New Delhi), Wilderness House Literary Review 2019 (USA), Star 82 Review (USA, San Francisco) ¹ 7.3, 2019, Hinchas de Poesa ¹24(USA, 2019), Foame ¹17 2021 (Australia), Pif Magazine (USA) 2019, Literary Yard 2019 (Èíäèÿ), Naugatuck River Review (USA) ¹22 2019, Coffin Bell Journal  (USA) 2020, ¹4 Reflections ¹100(UK, London),Tipton Poetry Journal (USA) 2019, The Poetry Porch (USA, 2019),Smoky Blue Literary and Arts Magazine (USA) ¹11, 2019 The Best of Kindness 2017 (USA, Florida), Hedge Apple (USA) 2020, Shot Glass Journal (US) ¹38, 2019, Willawaw Journal (USA) ¹11, 2019, Lotus Eater Magazine (Italy) ¹10, 2019, The Ilanot Review (Israel) (Volume 13, 2017), River Poets Journal(USA), (Volume 11 Issue 1), Green Hills Literary Lantern (USA, 2020, ¹31, Waving Hands Review(USA) ¹12 2020, Prime Number Magazine 2018 (USA), Tilde 2018 (USA), The Courtship of Winds (Summer 2017 USA),In Layman's Terms (¹1, 2017, USA),ZVONA i NARI 2019 (Croatia), Underscore review(USA, Detroit) , Issue No.7, The Write Launch ¹7(USA). 2017, Holy Shit (USA) 2017.Sheila Na Gig (USA) Meow Meow Pow Pow Lit (USA) 2019, Mizmor Anthology (USA) 2019, Winter 2017, Grey Wolfe Passion Pages 2017 (USA),Black Heart Magazine (USA) 2017.Stickman Review (USA) V 18 N1, 2019. Holiday Hell, Lighthouse 2018 ¹ 16 (UK),The Gutter Magazine ¹17 2018 (UK,Scotland), Smeuse winter 2017/18 (Áðàéòîí, UK), Dragon Poet Review Winter 2017 (USÀ), Postcard Poems and Prose Magazine(USA)2019, Origami Poems Project 2019 (USA).The Scene & Heard Journal 2018(USA), Buddy. a lit zine.(USA)2018, Canada Quarterly 2018 (Canada), Palm Beach Poetry Festival (USA)2018, The Pointed Circle 2018(USA), The Garfield Lake Review 2018(USA), Furrow 2018 (USA), Barzakh 2018 (USA), Grimscribe Press, (2019), Poetry Pacific 2018 (Âàíêóâåð), Castabout Literature (USA) 2019.Twyckenham Notes 2018 (USA,Indiana), Harbinger Asylum Fall 2019 (USA) Transcendent Zero Press, Bombay Gin ¹44 (USA, Tenth Street Miscellany 2018 (USA),Platform Review¹2, 2018 (USA) , Duck Lake Journal (USA) 2019, ¹2, SHIFT (USA) 2018 MTSU Write, Poetry City (USA), 2018 Vol. 8. The Wild Word ¹37, 2019 (Germany) Thirty West Publishing House (USA) 2019. StepAway Magazine (USA) ¹30, Mad Swirl (USA) 2019,Triggerfish Critical Review 2019 (USA).The Lightning Hunter (USA, 2019) The Brasilia Review (Brazil, 2019), isacoustic (USA) 2020, OPEN: Journal of Arts & Letters (2020, USA), Writing for Peace (USA) 2020 Avatar Review (USA) ¹22,  2020 Tule Review 2021 Pensive Journal 2022(USA) Beautiful Rosebud #70, 2023, Through Lines Magazine (US) 2022 Inlandia - Fall 2022 (US)"And Blue Will Rise Over Yellow: An International Poetry Anthology for Ukraine" from Kallisto Gaia Press, (US 2022). 128 LIT (US 2023) Verse Daily (US 2023) The Freshwater Review (US) ¹26, 2023, "Rosebud Magazine" ¹70, 2023 (USA), Pudding Magazine ¹71 2023 (USA) redrosethorns, 2023, "Aji" ¹18, 2023 (USA), Creation Magazine (USA) 2023 , Circumference (USA) 2023, Washington Square Review: Summer 2023, The Collidescope (USA) 2023, CIRCUMFERENCE 2023 (USA), Gabby & Min's Literary Review (USA) 2023,  "Quarterly Literary Review" (Singapore)  2023, EgoPHobia 2023 (Romania),  "Versopolis" 2023 (European Platforms), EU,"California Quarterly" vo. 51 No. 3, 2025 "Mantis " ¹23, 2025 (USÀ)